The Truth Finders

I'm just going to talk to Google tech staff for a second about my page location. I'm guessing that the correct parent for pages in this blog is candc-dave.blogspot.ca - if I spelled that right. It's not necessary for me to state the location all the way down to the .html if I'm referring to the parent, right? I hope so. Anyway, it seems to work, though I'm going to confine my anti-frameset code strictly to my experiments blog and my index pages, otherwise it will screw up my Blogger account's own functionality. I watched that old documentary about how they cracked the German enigma machine code again last night. It's really a great story and should be of interest to anyone involved with computers. In a nutshell it goes like this: The Germans had a machine to produce their code for them in World War 2. The machine made code breaking humanly impossible, so the Poles, led by a brilliant mathematician named Zigalski, invented a machine for his purpose. The machine consisted of a dozen or so rotors and was called the 'bomba'. This machine was handed over to the British and developed by a brilliant mathematician named Alan Turing. Turing's approach to code breaking was to use a machine's superior processing power to search for wrong answers in a lengthy process of elimination within a field of astronomical boundaries. First he added more rotors to the Polish machine with success. But as the Germans made their machine code harder and harder to break, it became necessary to attack the problem with, as was put by this feature's narrator, 'the speed of electrons'. By January 1945, the world's first electronic computer, Colossus, big as a house and only about as smart as a calculator, was born. So who stole my little slideshow development? Is the person in jail now? I wonder what other little programming tidbits I've shared over the last seventeen years online that criminals like that have been claiming as their work. Do you think they stole it to look smart or just to make me look like a fraud?
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Sweet Operation

I just love those well written war documentaries - especially about crypt analysis. Harry Hinsley exclaimed 'Nice... sweet operation!' after sharing his account of a successful recovery of German naval code keys from a trawler in World War Two. And that's how I feel about my original slideshow program, which you may view here: Video Viewfinder - though in my case, I recovered my own codes from my own relived experience. I'm going to use it to help me with my chronology of recordings. It will be nice to offer my videos in chronological order there. On another note, is Google my parent? When I test my URL for its parent, the only name it accepts is Blogger's. It doesn't matter how many Dots I put in my href. If Google's my parent, it could use some lessons on nurturing, I think, unless it wants to leave me in its will. 7:47 pm: Please stand by as I try to program this blog's scroll link into my relocation program. 7:59 pm: That should let me keep my scroll on this blog. Because I was targeting against framesets, I lost that scroll you get when you click on the year. I've just anchored it to my account on this one. It's not as aggressive. But I'm going to keep a firm hold on my JavaScript scripts for now. I didn't learn all this code just so assassins could come along after and make me look foolish with it.
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Homing Pages

My new function has been added into my slideshow program. You may view it here: Music Slideshow with Dates. My location anchoring program was anchoring it to the wrong page yesterday, but I fixed it today. Too bad I need to take all this extra trouble to protect my page location. It sure adds a pain in the butt to these posts. I'm going to change those word links to buttons now. Make it look more like a machine. I'm sure I've developed something like this online before and talked about it as I did it. First of all, did some of my more current posts mysteriously appear in any outside locations yesterday? If so, it was stolen and hidden there to add 'popularity' to an otherwise unpopular page. It's easy to steal people's web pages and bury them in a frameset or something like that. It's also illegal. And it is quite easy to defend against with JavaScript. I know its location object like the back of my own hand. Back in 2007, I had a similar program to help me fend off all the fraud. If one of my pages was in an outside location, it would immediately take over the window and warn the user with the following message: Warn Users of Theft. I never once saw this message until I erased my account in late 2007. Then as the media were telling you that dummmies who stole my HTML were smart and that Philistines who stole my content were artists, I must have seen that alert popping up out of every second page I browsed on the internet. I built all this work up from scratch in front of the world, I told everyone I was being attacked, then even my poor, stolen HTML pages howled their protest with my JavaScript, but the TV's bullshit was all anyone would believe on the subject. I guess the TV thinks that life is acceptable in a climate where there is no truth and where no one needs to know how to do anything but bullshit. Great climate for a president like George Bullsh to get elected! In my case, though, I've found that I can do just about anything I put my mind to. It's such a handicap in our bullshit culture that I wound up on disability by 2008. I struggled so hard to learn all this code in school because that was what I was being paid for. And then they just tried to erase it all with their bullshit. Life's not worth living where such things can happen, in my opinion.
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My JavaScript Slideshow Program

I might as well go ahead and explain my slideshow program now. It's a very simple program, but it may be unique in some ways. I know that there is probably a preset method for making slideshows in HTML by now, but I don't change my videos with any preset methods, I control all of the movement through my program with my own variables and logic. It is more complicated than using a preset method but it leaves more room for development within the same function. Perhaps I tried to explain this before at some time in the past. In order to have your iframe changing sources like a slideshow, you need first to tag your iframe with an 'ID' such as 'iframeid'. Then you must store all of its alternate sources in an array. They have a new way of setting up arrays now that is actually much more sensible than the way I was first shown. Then you need to assign the array to a string variable such as 'videos' or something. When you do that, the computer sees your variable as an array: videos[0], videos[1], videos[2], etc. From there you need another variable to use as the video index number, in order to control the action of your slideshow. I almost always choose the letter 'b' for my numeric variables. I just like it. Plus it stands for 'busy'. The movement is to either add one to the number in the square brackets or to subtract one from it, depending on where the user clicks. Then if that index number has traveled all the way through the list of videos in your array, you must restore it to its initial value, in order to bump the user back to the beginning or the end of the slideshow. If I were to organize only the movement of my index variable back through my array into a function, it would look like this: b=0 function createSelfSubtractingIndexVariable(){ if (b>0&&b<=videos.length-1){ b-=1 }else{ b=video.length-1 } } (Sorry I had the b turning to 0 inside the function in my first example.) Obviously, I used an adding one for the 'step back' link and the subtracting one for the 'step forward' link. Then all I needed to do was put this variable into the square brackets of my array variable as the closing action of my function and voila. This vital statement, too, has changed a bit from what I learned, but I agree with the change. Back in my day, a scripted HTML object like that would be referenced through the style object with document.all.iframename.src=videos[b]. This is backward compatible and would cross platform well onto older computers. But the new way of referencing named objects on a web page is with document.getElementById('iframeid').src=videos[b]. Before you think I've done all that extra algebra for nothing, consider my current needs. Now I must add text to my slideshow to tell the user the date of each video. So I must add another function to my program. As long as all of the movement through my program is controlled by one variable, the same variable can now be used to keep other functions in line with it. So I won't need to write a whole new function to have changes in text accompanying changes in iframe sources. I'll just store those dates the same way I stored my iframe sources and summon them with the same variable in the same program: document.getElementById('videoDate').innerHTML=dates[b]. Thanks to keeping my program free of too many preset methods, it will be a snap to add more functions to it to suit my growing needs. You can see this program in its initial form here: Slideshow Program. I'm still using the hash symbol (#) to keep the page anchored for my experiments, but I'll get rid of it later.
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Victory Is Mine

YAY! YAY! I got my slideshow program working! It employs the very latest methods in HTML technology. I got the code from NASA. (Joke.) You can see it working here: Video Slideshow. I'm going to try to get the slideshow going forward now with another program. Do you guys recall how I got that frameset posted in 2007? It wasn't just by knowing how to clear the document of that Blogger bar, it was from knowing about the document.write() method. Remember? I blasted all the frameset code into my blogger page with document.write() and it let me write my whole page from scratch with my own code. I tried it again last night and it didn't work. I'm amazed that it worked the first time though.
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Face Facts

I have a more positive video discussion to post today, if I can, but I don't mind the one I shared yesterday. I think my appearance is appropriate for my condition and see no point in hiding it. Still, I shaved this morning just because I like the smell of that lotion. The lighting really caught my high cheek bones in that video. That's typically Slavic. I'm told it's the influence of invading Asians. See, I told you. My eyes are not very Asian though. They're more African. 7:22pm: Had to come back to download some new code from W3C. I see they've got a new and improved way to create arrays. I have no trouble staying abreast of these changes because my education and experience has endowed me with a vocabulary that lets me make effective searches for information about changes in HTML. My frameset, for instance, was more of a HTML 4 solution, though I love that boxy, 70's vintage style. It was only natural for me to favor it, both back in 2007 when I first shared it, and today. A HTML frameset is bodiless (no body tags) so the only way to create one in Blogger was to have no titles in my blog. Back then, if you had no titles, you could start with a totally blank page on Blogger. Now if you don't have a title, your source code is injected into the title tag, which imposes a document body and makes a frameset impossible. Fine, I'll work within Blogger's code on Blogger, but I'll see if I can find another place to post my HTML. I'm glad I have JavaScript to keep my mind preoccupied right now. If the climate is still too poisoned to give me a fair shake with my music, at least I can have fun learning new web code.
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Producing Results

Well, I just had a peek at my code in Mozilla and see that it is working again without me making any changes to it. This means that it wasn't working because of a malicious outside application - the same one I spoke of over a year ago which sent public library pages to an outside URL called 3blog.org. I posted this information and it only took a year for the same stupid crime to reoccur. What do you think about productions? Do you like them? I hate them. All those production workers for that Madonna show in 2008 who surrounded me and ganged up against me to steal hours of my music probably work in productions now - if they're out of jail. Remember in early 2015 when I was rewriting my old cartoons and going crazy from remembering how I already told the police my cartoons were stolen in 2007 and knowing that they had all since been stolen? That really stresses you out when you're working hard to produce a good thing. And of course, the creeps wanted to defend their image - always at the expense of their victim - so I addressed every post to the police for about a month or so, mostly just to remind them that I am a crime victim who may need extra protection at this time. Then what happened? What happened next was that I came home and saw a note on the door of my building to tell me that Vancouver Police were supervising a production that would be shot in my very own back yard. I was to gather from this note that the Vancouver Police want the production companies, who steal my content and commit fraud with it and who slander me so severely that it takes me years to recover from the unjust onslaught I receive from the public, to come right on into their victim's back yard after he left the Hotel Europe to escape them and trample all over him with their new production. (You'll be able to pick up details like this a lot easier when I re-post my old frameset because I have all three thousand of my URL's listed in reverse chronological order from 2016 to my earliest surviving YouTube post in 2009. Just 1,500 more links to add to my navigation.) And do you think my co-tenants objected to a production invading the back yard? No, they thought it was cool. Hey, why don't we get some bands to play a concert in my back yard? Let's get Nickleback and Colplay and Oasis and the Rolling Stones to come and play a concert in my back yard. That'd be cool, right? Or maybe Jay Leno could come and do a stand-up show in my back yard. Hey, why don't we get Matt Groening to set up a chalk board in my back yard and draw a picture of Bart Simpson? Wouldn't that be exciting? And have any of these production workers who insist on my guilt managed to make me erase any of my posts where I accuse them and their stars of crime and where I state that they have been legally prosecuted and incarcerated? Because no one would believe that the Simpsons and Family Guy stole from me until they were both canceled. So why do production workers expect anyone to believe them when I'm still online with every word I've shared and I plan on adding a lot more to it? No, they only need to look like they're innocent. Pretty damn unfair. And how do they look like they innocent? Oh, by shooting a production! Of course! They're not scheming, murderous, fraud committing creeps, they're workers. What a joke. Like I've already said, show business offers a very high return for a small investment and this attracts investment from organized crime. Gangsters want maximum return for minimum investment. Outside of importing narcotics, show business probably offers them this amazing profit margin. So a lot of criminals are mixed up in productions. I think their crimes against an innocent artist like me speak for themselves and I'm looking forward to publicly displaying them in a way that is concise, comprehensive, and indisputable.
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Words Well Chosen

I've been spending the last week or so learning about how much of my original javascript programming was stolen from me by those spoiled TV stars and their broadcasting buddies. I'm developing a file structure at home that will make every one of my posts of the last seven years accessible from one page. I had a similar program in 2007 for my comedy sketches. Do any of you recall it? The top half of the screen was occupied by a HTML select menu like this: Author's Questions: Who Stole My HTML? Was It NBC? Was It CBC? Was It the Waltons? Was It Aliens? Did Anyone Else? And you could shoot down my alphabetized list of titles and instantly find any sketch I had online with it. The larger, lower portion of the page would change to your choice while this select menu stayed on top. Navigating a html frameset with a form element like that takes a superior grasp of html file structure. And it's always the dummies who need others to think that they're intelligent, eh? And some members of the ruling elite, whose money offers them no security from nagging doubts about their intelligence or talent, were only too glad to support such fraud. And when I think about it, when I think how they had the whole world thinking I was a dummy while everyone thought they were so clever with my originally coded and copyrighted javascript scripts, I get so upset that I might read my worst, angriest posts here and find them falling painfully shy of expressing my outrage.
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Finding Order in Chaos

I have finally put my 2010 blogs in order at home. They were posted in the following order: Monoblogs of Play Dough: May09-May31 Subconscious Rant: May31-Jun06 Slow Agony: Jun08-Jun16 Cry of the Lemur: Jun17-Jun27 Alls Well that Ends Swell: Jun28-Jul03 Isthmus of Panama City Beach: Jul04-Jul08 New Blog: Jul09-Jul25 Trail of the Marsupial: Jul23-Jul26 LJKGHJK (Original posts transferred in October 2012): Jul26-Jul30 Misfire: Aug01-Aug03 Tobacco Use Can Make You Impotent: Aug03-Aug10 Pearls Annotated Archives: Aug07-Aug24 Something to Dry Heave In: Aug21-Sep15 Tree-Blind Sloth: Sep17-Sep27 Bears Eat Goats and Toasty Oats: Sep27-Nov28 Coats from the Lost and Found (Initial period): Oct09-Oct18 Tales from the Dark Side of the Moon: Nov30-Dec15 Broken Smoke Alarm: Dec15-Dec27 Notice how almost every day of the year is accounted for with at least one blog post. I've been pretty steadily active for the last six years online. At home I fill in gaps with song posts. Often I am at work at a recording when I am not posting here. It takes time to create all this work. I think my volume speaks for itself. You can get some idea of my output from visiting ljkghjk, where I transferred four days of posts from July 2010 after deeming their blog titles unfit for survival. That's quite a long scroll of material for only four or five days. And I've been sharing like this since 2004. It sure worked out great for all the laziest stars and writers on TV, but it appears to have gouged a growing nine year hole in my life.
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Don't Panic

Don't panic about those two videos I posted and erased today. They were just my TV theme songs, which I needed to convert for the web by posting them to YouTube. I loaded those directly to Blogger and I can't figure out how to download them back. I've been diligently organizing my content and living a blissfully quiet life in my room. The last few months have been great. Staying indoors frees me from those hostile strangers on the street who always put me in such a bad mood. Most people are mostly good here, though - very mellow. I've spent the last week filing my 2010 posts and noticing the change in myself from knowing my music and poetry again. I think I've done well to criticize our image based culture. And I'm still waiting for my money. Having full control of my page code has allowed me to make some important editing changes. For instance, I changed the title of the National Bullshitting Corporation to the National Bullcrapping Corporation. It's not like it is here on Google. I'm not like them, I have standards. And I also changed Tobacco Use Can Make You Impotent to Tobacco Use Can Make You Insolent. After all, who cares if you're impotent? That doesn't make smokers look bad enough. But once people start looking at smokers as no good punks, they'll be more inclined to beat the hell out of them. Alas, here is another example of the tacit support for smoking by the soft hand of corporate anti-smoking advertisers. I'm saving up my new ideas as I complete this project. I expect that more and more of them will turn out to be altogether fresh and new. Really looking forward to being able to escape my troubles with my imagination again.
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The Crime That Rhymed

How many poems do you recall seeing broadcast on television before I shared my verses on Blogger? I can think of barely a handful - outside of children's television programs. Doctor Seuss had a couple of good ones that we'd see on an annual basis. And then in 2007, practically overnight, dozens of similarly styled verses appear on numerous shows: Jay Leno's acting out the Trail Blazer; Saturday Night Live are performing a new similarly styled rhyming work every weekend; even the news programs are rhyming their news reports. And didn't anyone but myself find this extremely creepy? I know that some rotten people want you think I'm cheap with my work. Well, I'm not as generous with it as those broadcasters, since they want to make superstars out of frauds with it - in turn, making me look like a bum. But future generations will surely find me generous if they enjoy reading my work. I have shared an enormous amount of volume, in spite of having to unjustly suffer the horrors of so many violations of my copyright. They won't be affected by whatever stupid spin the media is using to make you reject me at the moment. They'll just be thankful for my output. On another matter, I'll be a little slow to get these last posts into my index until I finish my project at home. Thank you for your patience.
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Greed Costs Culture

If people could see these stars and broadcasters through the eyes of their victim, they wouldn't be able to show their faces in public. Do you think they have courage to try to stay everyone's favorite on TV after getting caught lying about an innocent man and committing fraud with his work? I don't watch TV anymore. I don't trust people who want to lie with music and comedy to cover up their foul crimes. I don't want them altering my brain to accept their criminal mindset. If you ask me, certain responsible people made a very clear choice in the name of profits. These are the same ones who credit themselves with handing us our civilization. To me, civilization is a place where profits are sacrificed for truth when necessary. Why is a fraud victim the only one who wants to make this sacrifice? Isn't it an important sacrifice? Isn't truth important? What kind of music would they have us listen to? What's left of a decent song after you drain all the humanity out of it and wring all the passion out of it? You'll find it on some of the easy listening stations and it's not even good enough for an elevator. And then I come along and rebel against this muzak with rock and all these greedy assholes want to do is turn it into fraud so they can collect all the money for it. And now what? It's concert time? If you ask me, they have a pretty damn destructive attitude for people who need to celebrate so much. My website is filling up at home. It offers a few navigation advantages that are only available from me having full control of the page code. It's in a form that I would not be embarrassed to present as an independent web site, complete with all my songs and poems and other works. I hope it marks the point in my life where I start producing all new content, so I don't have to be reminded of the TV's and radio's crimes after breaking my back to produce something good - like Bad News, for instance, the kind of warm, decent human thought that looks so good on a reptile like Seal. He doesn't look nearly as cute without my songs, but I only get to look like less of a serial killer after the smear job his media supporters did on my image. That thing about my star chart, I remember it now. I was told that all the planets were in their own sign on that November morning in 1965. Apparently that's quite unusual.
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Get Off the TV

I've logged over two thousand files into my offline website. Most of them have been stolen by broadcasters and cashed in since I first shared them on Blogger and YouTube between 1999 and 2007. I'm struggling to save money but I wouldn't need to do that if the TV were honest and paid me for all my years of work that they used for their party. And how long have those SNL creeps been allowed to appear innocent now? Through my entire reposting of the eight years of comedy sketches that they stole from me? And when everyone gets finished watching them, are they all ready to hate me again like they did back in 2007? That's the sign of a healthy crimocracy. I noticed that my Bad News song was not marked down for commercials on YouTube. Was that out of consideration for my personal feelings? Was it out of respect for the dead? Well, they sure didn't respect my mom when she was alive because I told them not to use that song in 2007 and they went ahead and used it to mash my image in to the ground for their stupid fake artists. All they care about is quick cash.
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See Ya Real Soon

Just stopping by to let you all know I'm still working on that project at home. Looks like it's going to take maybe a couple of months to finish, but I'm moving forward in leaps and bounds. Maybe I'll make a little video out of my activities and post it on YouTube. I haven't posted a talking video in ages. Better finish what I'm doing first.
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